Trainspotting中从“choose not to choose life”到最终选择“look ahead to the day you die”的青年人终于在低胆固醇、牙医保险、低息贷款和“用精子制造的小杂种”的消磨中乞灵于酒精以希冀重拾一种青春犹存的残念与在生活洪流中短暂地再度“choose not to choose life”的权利;只不过这一次中年人亦无法像年轻人那样在湖边不加节制地纵情酣饮直至呕吐而只能假借“科学实验”的名义以精确至小数点后一位的进度一点点推进着自己的酒精“计划”——直至克制的崩溃、生活的失控乃至计划的破产所以真理存在于水中央徒留一狗的幽灵船中XL上司2第二季带翻译未增还是在那海边的纵情一跃中呢
Wes Anderson gets bolder with visual expressions. It’s a personal letter to all the things Anderson loves, such as cuisine, French youth culture in the 60s, and traditional print media. Even the tiniest details are infused with nostalgia. It reminds me of Quentin Tarantino somehow but came out with his unique style.